Year in Review: The best of the blog

Above: Actually the best of Insult Swordfighting.

All this week, we'll be recapping the year that was. First up: the best of Insult Swordfighting, 2010.

It's been a strange year. My output was lower than usual. I spent a couple of months without playing anything at all. When I did play games, I often felt uninspired, or even gloomy. Without making things weird between us, I'll just say that a lot happened this year, personally and professionally, that made me question the role of video games in my life. But it's all good. As we head into 2011, I'm excited about the way things are going, and I'm looking forward to playing and writing a lot more.

Without further ado, here are some of the better Insult Swordfighting posts you may have missed from 2010:

January: Bayonetta. How is it possible for one game to be so awesome, yet so embarrassing?

February: I returned from the disabled list. If you're wondering, I have made nearly a full recovery. The doctor and my occupational therapist both told me that it's extremely rare for people to heal so well from this type of injury.

March: I made the first of many impassioned defenses of Heavy Rain. And I spent way too much time writing about PAX East. Speaking of which, I still haven't gotten my pass for the next one.

April: I was about to vanish from blogging for awhile. One reason was Peggle.

May: N/A

June: What's with the collectibles in Alan Wake? Plus, my banned review of Splinter Cell: Conviction finally saw daylight.

July: I think a lot of people thought I was trying to stick it to Ebert, but actually this post was about how much I disliked Limbo, and the critical conversation surrounding it.

August: Seriously, I didn't like Limbo.

September: Why did Metroid: Other M wait until after the closing credits to get good?

October: 1001 Video Games You Must Play Before You Die is released, becomes a runaway bestseller, and revenue from its sales through my Amazon Associates account makes me an instant millionaire.

November: "The Year in Swooning" is always fun.

December: My vendetta against BioWare knows no bounds. (In the interest of full disclosure, I should mention that I stayed up until 4:30 AM on Sunday playing Mass Effect 2.)

Tomorrow: Year-end superlatives.

Extreme fever!

Above: Witness the instrument of your doom.

Sometimes in this life, there are certain inconvenient truths that you have to acknowledge, or else they'll destroy you. The earth's changing climate is one. The viability of Sarah Palin as a 2012 presidential contender is another. Even harder for me to acknowledge, over the years, has been my love of -- or, more accurately, compulsion toward -- casual gaming. I'm not talking about today's handholding in AAA titles, or even party games like Rock Band. I'm talking about simple, basic games that are usually free to play, except, of course, for the price of your soul.

Recently a friend loaned me his defunct iPhone. It has no sim card, but I can use it to check out some of the apps I've been missing, such as the instant classic Fox Smoking Pipe. But I haven't connected to the apps store yet. I haven't played some of the interesting games he'd already installed on the phone, like Doom Resurrection or even Canabalt. No, I've been playing Peggle.

Do you need me to explain Peggle? You've probably heard of it. (It's been out for a few years -- you've probably played it.) It's essentially pachinko: the game board is full of pegs that light up when a ball bounces off of them. The twist here is that the pegs vanish after each shot. Your job is to clear the board of its relatively few orange-colored pegs. You can do this with the help of certain enchanted shots (fireballs, auto-aim, etc.), but mostly it's a matter of carefully setting up a shot, then watching it go to hell as angles and pegs you never accounted for make the whole thing feel a lot like luck.

Good god, is it addictive. Made by PopCap, the fine folks who brought you web-game classics Bejeweled and Bookworm, Peggle starts with a simple idea, gives it a few twists, and then polishes it to blinding. The luck aspect gives and takes away -- a bucket that slides back and forth across the bottom of the screen will grant you a free ball if your shot ends up there. Getting saved from a bad bounce is like reaching into your coat pocket and finding a twenty.

The presentation is pretty slick, too. Cartoonish graphics and humorous interstitial text is always welcome, but the end-of-round event is brilliant. As your ball approaches the last orange peg, the camera zooms in, the game slows down, and the ball takes on a comet's tail. The ball can still miss at this point, and if it does, it's agonize. If it hits, "Ode to Joy" bursts out of the speakers and the ball sends out multi-colored sparks, before falling into a bonus-point bucket that erupts in fireworks.

A couple years ago when I argued against the terms "hardcore" and "casual" to describe gamers, this is what I meant. Peggle is a "casual" game by any definition. I'm not against describing it that way. But I am certainly not a "casual" gamer by virtue of playing it. In fact, it consumes me in a way that many recent "hardcore" games have failed to do. I agonize over my launch angle. I consult online videos of high-scoring shots. I forget to pick up my pre-ordered copy of Splinter Cell: Conviction because Peggle is waiting at home.

For all the high-falutin' talk about games needing to mean something, and the imperative for narrative and play mechanics to mesh, and whatever the hell else I say to sound smart, sometimes -- most times -- it's only about having fun. There's a reason great-looking console games come and go, but my FreeCell game count keeps rising. In other words, I play games like Battlefield and ask why; I play games like Peggle and ask why not.